Month: March 2020

  • The New MoMA’s Contemporary Chinese Art Gallery and the Pastiche of Multiple Modernities “Before and After Tiananmen”  Imagine a curated overview of contemporary art from the United States titled “Before and After the Vietnam War.” Imagine the case not as a new direction for explorative scholarship but as the perpetuating, defining framework, over and over again. “Before and After Tiananmen,” Gallery 207 in the 2019 rehang of […]