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Xin Wang is an art historian, critic, and curator based in New York. She worked as a special exhibition researcher at the Metropolitan Museum of Art on projects such as Ink Art: Past as Present in Contemporary China (2013) from 2011 to 2016. She served as the associate curator for Asian Contemporary Art Week 2014 and the inaugural edition of its signature program FIELD MEETING. As an independent curator, she has co-organized the panel “Magiciens de la Terre and China: Looking Back 25 Years” with Asia Art Archive at Columbia University, presented the New York solo debut of artist Lu Yang (2014), and curated a critically-acclaimed series of exhibition “THE BANK SHOW: Vive le Capital” and “THE BANK SHOW: Hito Steyerl” (2015) in Shanghai. Her writing has frequently appeared on exhibition catalogues (including the 2015 Venice Biennale) and publications such as Artforum, Kaleidoscope, Art in America, Flash Art, the Metropolitan Museum’s blog, Hyperallergic, and Leap.

She is currently building a discursive archive of Asian futurisms in contemporary art practice at http://afuturism.tumblr.com, and pursuing a PhD degree in modern and contemporary art at NYU’s Institute of Fine Arts.

王辛是现居纽约的策展人。Hamilton College美术史与数学双荣誉学位,心理学辅修;哥伦比亚大学美术史系硕士毕业后在大都会博物馆从事当代艺术研究工作。参与策划2013年《水墨》特别展览及研讨会;2014纽约当代亚洲艺术周及特别项目Field Meeting策展人。曾与哥伦比亚大学、亚洲艺术文献库合作组织“大地魔术师”座谈(2014),独立策划陆扬纽约首次个展“机房”(2014),上海“银行展:资本万岁”(2015)等。为多个美术馆、艺术机构、威尼斯双年展等撰写画册文章,并长期为artforum, Flash Art, Hyperallergic等撰稿。

@blancdexin

hosting a panel at the field meeting in asia society

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