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Cyclical Gods: Reliving Pandemic

BY XIN WANG • FEATURES• MAY 8, 2020 Zhao Yao, “Spirit Above All,” 2016. I arrived at the opening of Sanctuary, artist Chen Dongfan’s first Continue reading →

Curatorial Talk at the School of Visual Arts, New York City

As a curator and art historian who has had a fair share of the excitement and discontentment with “contemporary Chinese Continue reading →

Two Panels at Art Basel Hong Kong 2018

Artist Talk | Chin(A)frica: An Interface Samuel Fosso, He Xiangyu, Oluremi C. Onabanjo and Xin Wang     Artist Talk Continue reading →

chin(A)frica: an interface

  Duke House Exhibition Series Fall 2017 Institute of Fine Arts, New York University James B. Duke House 1 East Continue reading →

Artforum Scene & Herd from Shanghai and Guangzhou

驱车前往广州时代美术馆的路上,窗外时不时飙过一两辆自带改装遮阳伞的电动车。四两拨千斤的改装充满民间智慧:两三伞骨延长形成流线型尾部,符合空气动力学,游走于车河中又很拉风,惹得策展人侯瀚如赞不绝口:“这比扎哈哈迪的设计牛逼多了。”

Tang Dixin: A Hunger Artist

Profile on painter and performance artist Tang Dixin for Flash Art’s March-April 2016 issue, which offers an editorial that “explores Continue reading →

双体/Artforum Book Review of Between State and Market: Contemporary Chinese Art in the Post Mao Era

《国家与市场之间:后毛时代的中国当代艺术》(Between State and Market: Chinese Contemporary Art in the Post-Mao Era, 2014)实际探讨的是1978至1993年之间中国当代艺术体制从无到(算是)有的建立史。

Cao Fei on La Town for Artforum 500 words

曹斐近日在纽约Lombard Freid画廊展出新作《La Town》,40余分钟的定格拍摄影片全部由微缩人物与场景组成。在这个与现实比例为1:87的世界里,艺术家试图描摹一座城市的过往与命运。它反复在虫洞中迁徙至其他时空,逃避着记忆的捕捉,后在当代博物馆展览柜中被封存、展出、遗忘。

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