Painters Without Boarders Feature on Gagosian Quarterly

In her seminal 2012 survey This Will Have Been: Art, Love & Politics in the 1980s, art historian Helen Molesworth Continue reading →

Two Panels at Art Basel Hong Kong 2018

Artist Talk | Chin(A)frica: An Interface Samuel Fosso, He Xiangyu, Oluremi C. Onabanjo and Xin Wang     Artist Talk Continue reading →

chin(A)frica: an interface

  Duke House Exhibition Series Fall 2017 Institute of Fine Arts, New York University James B. Duke House 1 East Continue reading →

Asian Futurism and the Non-Other

Long essay for E-Flux Journal #81 http://www.e-flux.com/journal/81/126662/asian-futurism-and-the-non-other/

Siah Armajani: Monument Valley

A bridge by Siah Armajani (b.1939) is always a moving target, an ontological riddle. It must be quite odd for Continue reading →

Wind Rising from the Tips of Green Duckweeds: —A Conversation with Qiu Anxiong

In 2006, Shanghai-based artist Qiu Anxiong premiered New Classic of Mountains and Seas I (NCMS1), a thirty-minute, three-channel ink animation Continue reading →

Art Agenda Review: “Why Not Ask Again” 11th Shanghai Biennale

At the 11th Shanghai Biennale, it isn’t possible to take a photograph without capturing people; the vast Power Station of Continue reading →

Art Gazing and Claiming Locality at Nanjing’s Sifang Museum

NANJING, China — Recently I had a revelation while walking through the Guggenheim’s exhibition Contemporary Art of the Middle East Continue reading →