Japanese Translation of Asian Futurism essay courtesy of Arguments magazine

Full Japanese Text with Translator’s Note With deep gratitude to “アーギュメンツ製作委員会”（Arguments’ Production Committee; arguments.criticalities@gmail.com). Originally published for E-Flux Journal.   Continue reading →

Archeological Excavation in Selinunte, Sicily

Orignally published on The Institue of Fine Arts, New York University, Archeological Journal. https://www.nyu.edu/gsas/dept/fineart/pdfs/publications/IFA_Archaeology_Journal_2017-2018.pdf

RROPS interview

PROPS: What role do images play in our practice? Xin Wang: I’m an art historian by training, and throughout the Continue reading →

Painters Without Boarders Feature on Gagosian Quarterly

In her seminal 2012 survey This Will Have Been: Art, Love & Politics in the 1980s, art historian Helen Molesworth Continue reading →

Two Panels at Art Basel Hong Kong 2018

Artist Talk | Chin(A)frica: An Interface Samuel Fosso, He Xiangyu, Oluremi C. Onabanjo and Xin Wang     Artist Talk Continue reading →

chin(A)frica: an interface

  Duke House Exhibition Series Fall 2017 Institute of Fine Arts, New York University James B. Duke House 1 East Continue reading →

Asian Futurism and the Non-Other

Long essay for E-Flux Journal #81 http://www.e-flux.com/journal/81/126662/asian-futurism-and-the-non-other/

Siah Armajani: Monument Valley

A bridge by Siah Armajani (b.1939) is always a moving target, an ontological riddle. It must be quite odd for Continue reading →