xin wang

curator, art historian; selected writings and projects

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E-Flux Feminism(s) Panel discussion

Blurb: Offside Affairs begins with soccer—the delirious energy of the game, its technologically-calibrated mass spectatorship, the unparalleled intersectionality in the Continue reading →

QINGNI/QINGMIN dance/multimedia performance

Qingni is Qinmin’s best friend; they were high school desk-mates. Both of them went to the West Coast of the Continue reading →

Japanese Translation of Asian Futurism essay courtesy of Arguments magazine

Full Japanese Text with Translator’s Note With deep gratitude to “アーギュメンツ製作委員会”(Arguments’ Production Committee; arguments.criticalities@gmail.com). Originally published for E-Flux Journal.  

Archeological Excavation in Selinunte, Sicily

Orignally published on The Institue of Fine Arts, New York University, Archeological Journal. Click to access IFA_Archaeology_Journal_2017-2018.pdf

RROPS interview

PROPS: What role do images play in our practice? Xin Wang: I’m an art historian by training, and throughout the Continue reading →

Painters Without Boarders Feature on Gagosian Quarterly

In her seminal 2012 survey This Will Have Been: Art, Love & Politics in the 1980s, art historian Helen Molesworth Continue reading →

Two Panels at Art Basel Hong Kong 2018

Artist Talk | Chin(A)frica: An Interface Samuel Fosso, He Xiangyu, Oluremi C. Onabanjo and Xin Wang     Artist Talk Continue reading →

chin(A)frica: an interface

  Duke House Exhibition Series Fall 2017 Institute of Fine Arts, New York University James B. Duke House 1 East Continue reading →

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