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Notes on Vectors: Essay on Lui Chun Kwong’s recent watercolors
View catalogue here:
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New Museum Triennial Review and Ryan Trecartin Special Feature for Modern Weekly
摘要: 社交网络的超音速式的铺展、泛滥影像的去真实化的迷幻力量,共同促成了亚文化对主流文化的前所未有的戏谑和嘲讽,且全面挑战并影响着当代艺术实践。
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Lu Yang Arcade Reviews
Artforum: http://artforum.com.cn/archive/search=%E7%8E%8B%E8%BE%9B/7138
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THE BANK SHOW REVIEWS
Art Agenda: http://www.art-agenda.com/reviews/%E2%80%9Cthe-bank-show-vive-le-capital%E2%80%9D/
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THE BANK SHOW: Vive le Capital
It is easier to imagine the end of the world than the end of the current order of capitalism. – Fredric Jameson
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Liao Guohe: Troll Painter/廖国核:扯画家
Catalogue Essay for Liao Guohe retrospective at the Sifang Art Museum, Nanjing.
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黯然销魂不唯语境/Translating Feminism
published on Artforum.com.cn on 2014.12.03, http://artforum.com.cn/slant/7247# 碧昂斯在MTV音乐录影带大奖上的表演,2014年8月24日。 图片:New Statesman
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Asian Contemporary Art Week 2014 & Field Meeting statement
Working as the associate curator of Asian Contemporary Art Week, New York 2014. ACAW-2014_Press-Release-10-2014 Social diary in Chinese: http://artforum.com.cn/diary/7110
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Lu Yang Arcade: New York solo
LUYANG ARCADE Curator: Xin Wang Lu Yang Arcade, the first New York solo exhibition of the Shanghai-based artist Lu Yang (b. 1984), presents some of her key projects since 2011 and new works commissioned for the exhibition that feature fantastical, often morbid visions of death, sexuality (or a-sexuality), illness, and neurological constructs of both real life-forms and religious icons.…