xin wang

curator, art historian; selected writings and projects


  • about
  • curatorial
  • talks

  • Notes on Vectors: Essay on Lui Chun Kwong’s recent watercolors

    View catalogue here:

    July 13, 2015
  • New Museum Triennial Review and Ryan Trecartin Special Feature for Modern Weekly

    摘要: 社交网络的超音速式的铺展、泛滥影像的去真实化的迷幻力量,共同促成了亚文化对主流文化的前所未有的戏谑和嘲讽,且全面挑战并影响着当代艺术实践。

    July 13, 2015
  • Lu Yang Arcade Reviews

    Artforum: http://artforum.com.cn/archive/search=%E7%8E%8B%E8%BE%9B/7138 

    July 13, 2015
  • THE BANK SHOW REVIEWS

    Art Agenda: http://www.art-agenda.com/reviews/%E2%80%9Cthe-bank-show-vive-le-capital%E2%80%9D/ 

    July 13, 2015
  • THE BANK SHOW: Vive le Capital

    It is easier to imagine the end of the world than the end of the current order of capitalism. – Fredric Jameson

    April 14, 2015
  • Liao Guohe: Troll Painter/廖国核:扯画家

    Catalogue Essay for Liao Guohe retrospective at the Sifang Art Museum, Nanjing.

    March 9, 2015
  • 黯然销魂不唯语境/Translating Feminism

    published on Artforum.com.cn on 2014.12.03, http://artforum.com.cn/slant/7247# 碧昂斯在MTV音乐录影带大奖上的表演,2014年8月24日。 图片:New Statesman

    March 9, 2015
  • Asian Contemporary Art Week 2014 & Field Meeting statement

    Working as the associate curator of Asian Contemporary Art Week, New York 2014. ACAW-2014_Press-Release-10-2014 Social diary in Chinese: http://artforum.com.cn/diary/7110

    March 9, 2015
  • Lu Yang: Arcade, published as Hyperallergic Essay

    The arcade is more than a place to play games. It promises a critical distance from reality, creativity independent of usefulness, and realms of fantasy that are “resistant, but not oppositional, in relation to the dominant societal logic,” as Graeme Kirkpatrick put it in “Aesthetic Theory and the Video Game.” Under its powerful reward system […]

    March 9, 2015
  • Lu Yang Arcade: New York solo

    LUYANG ARCADE Curator: Xin Wang Lu Yang Arcade, the first New York solo exhibition of the Shanghai-based artist Lu Yang (b. 1984), presents some of her key projects since 2011 and new works commissioned for the exhibition that feature fantastical, often morbid visions of death, sexuality (or a-sexuality), illness, and neurological constructs of both real life-forms and religious icons. […]

    October 7, 2014
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